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THINK Theatre, 1st edition

  • Mira Felner

Published by Pearson (December 27th 2011) - Copyright © 2013

1st edition

THINK Theatre

ISBN-13: 9780205869596

Includes: Paperback
Free delivery
$79.99 $99.99

What's included

  • Paperback

    You'll get a bound printed text.

Overview

Debuting in its first edition, THINK Theatre engages contemporary readers through its stylish  visual program, lively narrative, and side-by-side coverage of multicultural and alternative theatres with more familiar and well known performances.  THINK Theatre shows readers how the intersection of artistic vision, talent, and passion intersect with social, political and economic reality to create theatre everywhere, in all its forms and variety.

Table of contents

Chapter 1: Theatre: A Global Experience

 

CO Essay: Navigating the World of the Theatre

Theatre as a Reflection of Culture

Universals of the Theatre

Tradition and Innovation

Why Theatre Today?

 

Chapter 2: The Audience Response

 

CO Essay: Partners in Performance

The Audience and the Actor: The Invisible Bond

The Audience Is a Community

Audience Members Construct Meaning as Individuals

Conventions of Audience Response

Political Theatre: Moving the Audience to Action

Meeting Theatre’s Challenges

The Critical Response

The Many Faces of the Critic

           

 

Chapter 3: Understanding Plays

 

CO Essay: Storytelling and Cultural Tradition

The Western Play Tradition

Story and Plot

Dramatic Structure

Dramatic Characters

Dramatic Language

Form and Innovation

 

Chapter 4: The European Written Tradition and Its Genres

 

CO Essay: Genre and Cultural Context

Genre and Theatrical Convention

Tragedy

Other European Genres

Comedy

Tragicomedy

Melodrama

Genre Today

 

Chapter 5: Performance Traditions: Legacy and Renewal

 

CO Essay: Performance Traditions: Living Cultural Heritage

Indian Sanskirt Theatre

Mime and the Commedia dell’Arte Tradition

Japanese Traditions

Kyogen

Kabuki

Chinese Opera

Carnival Tradition

Puppet Traditions around the Globe

 

Chapter 6: Alternative Paths to Performance

 

CO Essay: Other Authors, Other Texts, Other Forms

Creating through Improvisation

The Performance Ensemble and Collaborative Creation

Mime and Movement Theatre

Variety Entertainment

Storytelling

Documentary Theatre

Opera and Operetta

The American Musical

The Theatre of Images

 

 

Chapter 7: The Actor: Theatre’s Living Presence

 

Co Essay: The Thrill of Simulation

To Act Is Human

The Universal Qualities of Acting in the Theatre

What Does an Actor Do?

The Actor’s Dual Consciousness

Acting Reflects Culture

The Development of Actor Training

The Acting Profession Today

Acting in Performance Traditions

 

Chapter 8: The Director: The Invisible Presence

 

CO Essay: Where is the Director?

Directors Mold the Theatrical Experience

Directing, a Recent Art

The Director as Interpreter of a Dramatic Text

High-Concept Directing

The Director as Acting Guru

The Director as Auteur

The Director’s Personal Qualities

 

 

Chapter 9: Theatre Spaces and Environments: The Silent Character

 

CO Essay: Title to Come in Copyedit

Space and Theatrical Conventions Evolve Together

The Boundaries of Theatre Spaces

Cultural Meanings of Theatre Spaces

Traditional Theatre Spaces and Environments

Created and Found Spaces

           

Chapter 10: Approaches to Design

 

CO Essay: Title to Come in Copyedit

Costume, Makeup, and Masks in Performance Traditions

Sets, Lighting, and Sound Design in Performance Traditions

Western Stage Design Before the Interpretive Model

Contemporary Western Stage Design

           

 

Chapter 11: Setting the Stage

 

CO Essay: Designing the Characters' World

Goals of Set Design

The Set Designer’s Process: Collaboration, Discussion, Evolution

Principles of Composition

The Visual Elements of Set Design

The Set Designer’s Materials

 

Chapter 12: Dressing the Character

 

CO Essay: The Magic of Costumes

The Goals of Costume Design

The Costume Designer’s Process

Principles of Composition

Visual Elements of Costume Design

The Costume Designer’s Materials

Fabric, Ornaments, and Accessories

Hairstyles and Wigs

Makeup and Masks

 

 

Chapter 13: Lighting and Sound Design

 

CO Essay: Technology and Art in Partnership

Stage Lighting

The Lighting Designer’s Process

The Visual Elements of Lighting Design

Sound Design

The Sound Designer’s Process

 

Chapter 14: Making Theatre Happen

 

CO Essay: The Necessity of Theatre

Where Theatre Happens

Commercial and Not-for-Profit Theatre in the United States

Producing Theatre

Behind the Scenes: The Unsung Heroes of the Theatre

Methods of Collaboration

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