
Essay Writing for Canadian Students, 10th edition
- Roger Davis |
- Laura K. Davis |
Title overview
For courses in English composition.
In writing Essay Writing for Canadian Students, our primary goal was to create a resource for Canadian students that offers a fresh and unique approach to essay writing: one that is clear, concise, accessible, and inclusive. In this way, we sought to create an indispensable tool for students from diverse academic backgrounds. We believe that essay writing is a skill you can learn, rather than an inert talent. With this idea in mind, we are convinced that our systematic method - one that explains the stages and steps of the essay writing process - will work for most writers. If you are trying to figure out how to cope with essay assignments in your college or university courses, you are the student we had in mind when we wrote this book.
We present the writing process as a systematic set of procedures for planning, drafting, and revising deductively organized academic essays. Our text aims to demystify the essay writing process and empower every student to cultivate their writing skills. As educators, we have found that students sometimes struggle with thinking about the content of the assignment. For this reason, we stress the analytical skills that help students explore the subjects they write about more completely. We believe there is value in an approach that encourages critical thinking, and that creativity can be incorporated into structured writing of any kind.
Hallmark features of this title
- Analytical Skills. We present the writing process as a systematic set of procedures for planning, drafting, and revising deductively organized academic essays. Like most teachers, we have found that many weaknesses in student writing stem from confused thinking about the assignment, the subject of the essay, or both.
- We present a systematic approach to writing essays. Because we believe that writing is a skill you can learn, rather than a talent you are born with, we are convinced this method will work for most writers. Feel free to adapt it to suit your needs.
New to this Edition
- Research chapters have been updated to include more current examples in Indigenous research, using a sample topic based on Thomas King. This is a representative example of wholesale changes to many cases throughout the text to have greater consistency with more inclusive language and broader representations of different cultures. For example, many of the grammatical exercises have been edited or changed in an attempt to minimize unconscious bias and to include updated information on gendered language and pronouns.
- Nine new readings have been added to this edition, which mostly include pieces from historically underrepresented groups. These readings aspire to generate conversations around relevant topics both in general culture and academic environments. For example, Wayde Compton’s essay shows how language and race intersect through a grammatical construction called “passive voice” that enables unequal power dynamics to continue unchallenged.
- Added information on “joining the conversation” within academic classes and communities to help students clarify their roles and responsibilities during their learning experiences. Students can come from diverse backgrounds with different understandings of expectations, and this section aims to help students navigate new learning environments. As always, it is important to communicate with instructors to clarify the context(s) in any given course.
Key features
Digital Assets in Revel
- Shared Multimedia Assignments make it easy for students and instructors to post and respond to videos and other media. Students can also record and upload their own presentations for grading, comments or peer review.
- Embedded assessments afford students regular opportunities to check their understanding. The results enable instructors to gauge student comprehension and provide timely feedback to address learning gaps along the way.
- Writing assignments - such as journaling prompts and shared writing activities - enable educators to foster and assess critical thinking without significantly impacting their grading burden.
- The educator dashboard offers an at-a-glance look at overall class performance. It helps instructors identify and contact struggling and low-activity students, ensuring that the class stays on pace.
Table of contents
Part l Rhetoric
- Writing Essays: An Overview
- Reading Analytically and Writing Summaries
- Writing Analysis Essays: Clarifying Essay Topics and Gathering Material
- Writing Analysis Essays: Formulating a Thesis Statement and Drafting
- Writing Analysis Essays: Revising
- Writing Essays on Literature
- Writing Comparison Essays
- Writing Evaluation Essays
- Writing Persuasive Essays
- Gathering Material for Research Essays
- Writing Research Essays
- Writing Research Essays across the Curriculum
Part ll Readings
- “Reframing Canada’s Drug Problem” by Bruce K. Alexander
- “Feminism for the 99 Percent: A Manifesto“ by Cinzia Arruzza, Tithi Bhattacharya, and Nancy Fraser
- “An Alberta Rose for Black Canada” by Bertrand Bickersteth
- “Police Abolition in Canada: A Black, Queer, Non‐Binary Demand.” by Cicely Belle Blain
- “The Persistence of Poetry and the Destruction of the World” by Robert Bringhurst
- “Facing the Sun” by Cameron, Claire
- “Subject‐Verb‐Race” by Wayde Compton
- “Learning to Unlearn: It’s Time to Discard the Myths about Canada and Indigenous Peoples” by Curtis
- Gillespie “The Facts Are the Facts” by Katharine Hayhoe
- “Hunger” by Maggie Helwig
- “Disability: Is There a Right Way to Be Deaf?” by Sarah Katz
- “Forget Columbus” by Thomas King
- “Science Says: Revolt!” by Naomi Klein
- “Embraced by the Needle” by Gabor Maté
- "Facebook and Coaxed Affordances" by Aimée Morrison
- “Girl Unprotected” by Laura Robinson
- “The Men We Carry in Our Minds” by Scott Russell Sanders
- “It Always Costs” by David Suzuki
- “A Modest Proposal” by Jonathan Swift
- "Postscript" by Desmond Tutu
- “Canada, You’re like My Favourite One‐Day Uncle and I Love You” by Richard Van Camp
- “How to Write with Style” by Kurt Vonnegut
- “What Is Cultural Appropriation? Respecting Cultural Boundaries” by Chelsea Vowel
- “Faking It” by Fred Wah
Sample Essays
- “Bodily Voices: Maggie Helwig’s “Hunger”” by J. Cabot
- “Acting Now: Practical Approaches to Mitigating Climate Change” by V. Huang
- “Perspectives on Addictions” by C. Mendez
- “Unmarked” History: Facts, Fictions, and Frames in Thomas King’s “Forget Columbus” by S. Obisanya
- “Like Me on Facebook: Identity Construction in Social Media” by F. Patel
- “The Complexity of Power and Gender Relations: An Evaluative Essay on Scott Russell Sanders’s “The Men We Carry in Our Minds”” by D. Ramadan
- “Tone in William Carlos William’s ‘This is Just to Say’” by L. Strong
Part lll Handbook for Final Editing
- Final Editing: The Process
- Grammar: Parts of Speech
- Writing Better Sentences
- Writing Better Paragraphs
- Creating an Appropriate Tone
- Punctuation
- Spelling and Mechanics
- Format
Author bios
Laura K. Davis is a faculty member at Red Deer Polytechnic, where she teaches literature and writing. She holds a Ph.D. in English from the University of Alberta, an M.A. in English from the University of Victoria, and a B.A. in English from the University of British Columbia, Vancouver. She specializes in Canadian Literature and Writing Studies. Her publications include Margaret Laurence and Jack McClelland, Letters, edited with Linda M. Morra and published by the University of Alberta Press in 2018, and Margaret Laurence Writes Africa and Canada, published by Wilfrid Laurier University Press in 2017.
Roger Davis is a faculty member at Red Deer Polytechnic, where he teaches courses in literature and writing. His research and publication interests include cannibalism, dystopian literature, poetry and poetics, and academic integrity.