• The roles and responsibilities of #DiversityinLit – the publishers’ perspective

    In our recent Plotting Ahead roundtable series, we recognised a need for change. The figures, trends and patterns that have emerged with regards to diversity and inclusion in English (and indeed, education as a whole) have culminated in a collective desire to drive forward improvements.

    We also recognised that change cannot happen in isolation. Outside of schools, there is a vast community of allies that are required to work together to enable and enact change. Parents/carers, schools, teacher trainers, publishers, librarians, the DfE, Ofqual and many more, need to work together from both within their organisations and communities, and without, to implement structural and sustained change.

  • Everyone’s talking about catch-up

    School’s back – now how do you close the reading gap?

    Well, it’s finally happened – you’re back in school - with full classes (with or without masks) - and now it’s the moment of truth: what have your pupils been doing since March? Of course, you hope that they avidly followed your online lessons and dutifully completed all tasks set with the devoted attention of a furloughed parent… but the reality might be quite different. There will be many pupils who were not in need of additional support prior to school closure but who will now need a boost to get back on track. You might be tempted to think that the Number 1 priority is to test pupils to find out the extent of the damage of missing school, but it would be more beneficial to your pupils to give them enough time to tune back in to learning mode first.

     

  • Children learning in a classroom

    Improving inclusivity on the GCSE Literature syllabus

    In response to students’ concerns about the lack of inclusion of women and BAME writers at GCSE level, Katy Lewis, Head of English, Drama and Languages at Pearson, discusses the move to add a more diverse set of texts to the English GCSE Literature syllabus.

  • Who are you reading?

    Who are you reading?

    When you first ‘hear’ a narrator in a book, what are your initial thoughts? When the author introduces you to a new character, what assumptions do you make? The gender is normally pretty clear, and age is always up there – how attractive they are often features highly too!