By Dr JT Welsch, University of York

When Bob Dylan won the Nobel Prize for Literature in 2016, the awarding committee said it was ‘for having created new poetic expressions within the great American song tradition.’ In the official press announcement, they added: ‘He can be read and should be read, and is a great poet in the English tradition.’ It’s one thing to describe song lyrics as ‘poetic’ – a vague descriptor we apply to many creative forms. It’s another thing to call someone who is primarily a songwriter a ‘poet’ while awarding them the world’s most prestigious prize for ‘literature’.

When we launched our Let’s Talk English campaign earlier this year, our purpose was clear: to create an open space for the education community to explore how GCSE English teaching, learning and assessment could evolve to better serve every student. 

We didn’t start with answers or predetermined solutions; we started with questions — and an invitation for teachers, students and education leaders to share their experiences, insights and ideas about what English could become.

What do we mean when we ask why English does not feel creative any more? 

Partly, maybe, that after the age of 14, pupils have few opportunities to write fiction,  poetry or drama, at least for assessment. There is only one ‘recreative writing’ option at A-Level, and few students take it. The Creative Writing A-Level lasted only from 2014-2018. But then such opportunities haven’t existed for quite a few decades, and even then, they were permitted only intermittently, and reluctantly.